 Julia Sweeney says she was a "happy Catholic girl" when, one day, she walked into church and signed up for a Bible-study course. "What an eye opener that was!" she says. "Next thing you know, I was on a quest for something I could really believe in. I traveled to places like Bhutan, Ecuador, and my local Starbucks looking for answers. Would I embrace Buddhism? New Age pseudo-science? Was I a freak for feeling the way I did, or were there other people out there just like me? I was grappling with serious questions. But, somehow, a lot of the things that were happening to me seemed, well, funny." Equally comedic and insightful, Letting Go of God is Sweeney's brilliant one-woman show about her struggle with her faith. Grappling with the seeming contradictions in Adam and Eve, Noah, the Ten Commandments, and even the teachings of Jesus - and trying to understand the Bible's messages about morality, family values, and human suffering while faced with door-knocking Mormons and wise-cracking priests - Sweeney takes listeners on her very personal journey from God to "not-God". This performance was recorded on November 19, 2005, at the Ars Nova Theatre in New York City. Julia Sweeney was a cast member on Saturday Night Live from 1989-94, and is best known for the mysteriously androgynous character, "It's Pat!". She has also served as a consulting producer on Sex and the City and Desperate Housewives. Letting Go of God is her third monologue. She performed her first, God Said, "Ha!", in Los Angeles, San Francisco, and on Broadway, as well as in a film produced by Quentin Tarantino. The CD version was nominated for a Grammy.
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 Seven years in the making and meticulously researched - Gabler is the first writer to be given complete access to the Disney archives - this is the full story of a man whose work left an ineradicable brand on our culture but whose life has largely been enshrouded in myth.
Gabler shows us the young Walt Disney breaking free of a heartland childhood of discipline and deprivation and making his way to Hollywood. We see the visionary, whose desire for escape honed an innate sense of what people wanted to see on the screen and, when combined with iron determination and obsessive perfectionism, led him to the reinvention of animation. It was Disney, first with Mickey Mouse and then with his feature films - most notably Snow White, Pinocchio, Fantasia, Dumbo, and Bambi - who transformed animation from a novelty based on movement to an art form that presented an illusion of life.
The author also reveals a wounded, lonely, and often disappointed man, who, despite worldwide success, was plagued with financial problems, suffered a nervous breakdown, and at times retreated into pitiable seclusion in his workshop, making model trains. Gabler explores accusations that Disney was a red-baiter, an anti-Semite, and an embittered alcoholic. Yet whatever his personal failings, Disney appealed to millions by demonstrating the power of wish fulfillment and the triumph of the American imagination.
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 Even before the Beatles hit the big time, a myth was created. This version of the Beatles legend smoothed the rough edges and filled in the fault lines, and for more than forty years this manicured version of the Beatles story has sustained as truth, until now.
The product of almost a decade of research, hundreds of unprecedented interviews, and the discovery of scores of never-before-revealed documents, Bob Spitz's The Beatles is the biography fans have been waiting for.
Never before has a biography of musicians been so immersive and textured. We are there in the McCartney living room when Paul and John learn to write songs together; backstage the night Ringo takes over on drums; in seedy German strip clubs where George lies about his age so the band can perform; and at the Ed Sullivan Show as America discovers the joy and the madness. From Shea to San Francisco, through the London night, on to India, through marmalade skies, across the universe, all the way to a rooftop concert and one last moment of laughter and music.
It is all here, the highs and the lows, the love and the rivalry, the drugs, the tears, the thrill, the magic never again to be repeated. Bob Spitz's masterpiece is, at long last, the biography the Beatles deserve.
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 In 2006, Forbes magazine ranked Tom Cruise as the most powerful celebrity in the world. With three Golden Globe awards, three Academy Award nominations, and 27 films with an average box office gross of nearly $100 million, People magazine's choice for the "Sexiest Man Alive" in 1990 is unquestionably one of the biggest movie stars of our time.
He has also become one of the most controversial, for his outspoken championship of Scientology, for his criticism of Brooke Shields for turning to the "Nazi science" of psychiatry for help with postpartum depression, and for the time in 2005 when he jumped on Oprah Winfrey's couch proclaiming his love for Katie Holmes. But for all the headlines and the rumors swirling around him, the real Tom Cruise has remained surprisingly hidden: until now.
For two years, acclaimed investigative journalist Andrew Morton has been uncovering the true story of Tom Cruise: from his days as bullied "little Tommy Mapother", to his early stardom, to his romances, and his increasingly public involvement in the world of Scientology. With new sources and exclusive interviews, Morton brings us never-heard revelations about the private, sometimes shocking world of Tom Cruise.
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